Photoshop Art Tutorials

Jun 10
2009

photoshop art tutorials

The Way To Photograph Smoke - Step By Step Tutorial

Smoke photography may be really frustrating however fulfilling simultaneously. It all is dependent upon how you method the topic. For those who have spare time and/or stuck indoors on a rainy day, then it is the excellent chance to attempt this strategy. There's no need for expensive camera equipment. Just your camera, flash plus a few household goods will do the job. All you may need is a fundamental understanding in the relationship between the topic, lighting and background. The 1 essential ingredient that I'd say is really a should is PATIENCE! Oh, along with a camera naturally... Devoid of these two points, you will walk away extremely stressed. There's no right or wrong strategy to accomplish the excellent smoke trail. I utilised a mixture of my very own approach in addition to tactics I picked up from others. The notion would be to experiment and use what ever procedure you're comfy with. You might even discover a far better method to do it. The crucial thing is the fact that you get the perfect picture. In this tutorial, I will guide you by means of the complete shoot step-by-step. I will also supply my personal concepts so you can try various methods. Ok, let's begin...

 

STEP 1

Have the correct equipment

Apart from the camera and flash, it is possible to improvise with practically every thing else. I is going to be producing suggestions throughout the tutorial so don't panic should you be missing some items. The simple gear you will need is: •  Camera - with control over shooting mode. Preferably a DSLR so it is possible to manually adjust the shutter speed, aperture and focus.

 

•           Off camera Flash or Strobe with Snoot - don't worry in the event you do not have a snoot. I created mine with a cereal box and some black art paper:-)

•           Incense stick and holder - Incense sticks are the very best source of smoke as they've a pleasant smell and present a longer lasting continuous plume of smoke. In the event you do not have a correct holder, it is possible to use something from play dough to a potato. So long as it holds the incense in location, it doesn't matter what you use. You might also want to use some thing to catch the ash.

 

•           Black background and surface - You can use any dark color non-reflective background, but black is very best if you want to capture perfect contrast and particulars in the smoke. You'll also avoid lengthy post processing in Photoshop. Use paper, card or even velvet if you don't possess a correct color background. The black surface just isn't essential but aids to avoid any stray light bouncing off onto the background or the camera lens.

 

•           Tripod - That is not completely needed, but for this tutorial, we will use 1. I took all my smoke photos handheld. It is a little much more challenging but you get some exclusive shots. Experiment with both strategies and see that is greatest for you personally.

 

•           Reflector - That is optional if you want to reflect much more light onto the smoke.

 

•           Portable light - A torch or some thing to light up the smoke so it is possible to lock focus...and see where you happen to be going within the dark...

 

•           A well-ventilated room - That is really critical. Tend not to try it in a tiny space with just one little window! The smoke will fill a large space inside of 10-15mins so you'll need to air the room out from time to time. This can be since the smoke inside the room will lower the high quality of one's photo. Oh, and it really is not very good for the wellness to breathe in all that smoke, even if it does smell good.

 

•           A lighter - you've got to light the incense...:-) •       PATIENCE! Lots of it!

 

STEP 2

The Studio Setup

Now which you got all your gear, you will need to set them up inside a way that can stop any light spilling onto the black background or into your camera lens. I've integrated images beneath to illustrate the set up I use. The very first image may be the fundamental set up.

 

•           Put up your black background

•           Place the incense stick about 3-4ft away from the background

•           Place the flash/strobe towards the proper (or left) of the incense about 1-2ft away

•           If employing a reflector, place it on the opposite side, facing straight in the incense stick

•           Place the camera on a tripod in front from the incense about 2-3ft away

 

It is possible to also arrange the gear at an angle towards the background  just make sure that you prevent any light reflecting onto the background. That is crucial due to the fact smoke includes a organic grey colour so you need a pure black background to provide it contrast. You also must make sure that if you fire the flash, no light hits the camera lens. This can create glare within your picture. It is not completely a poor point as you'll be able to still turn it into a creative image, but you don't want glare on all your pictures. This is an image with glare (please view on my blog). It was a mistake and my intention was to eliminate it, but I liked the solar impact it was giving so made the decision to leave it because it is.

 

STEP three

Camera and Flash Settings

So that you can capture a decent smoke photograph you should bear in mind four essential factors that should be adhered to,

•           Fast shutter speed - due to the fact it is continually moving, you need to catch the motion from the smoke

•           Small aperture - for a higher depth of field. Smoke is unpredictable so setting a small aperture allows you to capture more of it in situation of sudden alterations in shape.

•           Low ISO - This really is simply because smoke will naturally show up on a photograph as grainy. A larger ISO will make this worse

•           Light - You may need a great deal of it. With a mixture of rapidly shutter speed, small aperture and reduced ISO, there exists not sufficient light to expose the shot. As a result, the smoke will need to be lit up appropriately.

 

With all that in mind, set your camera accordingly determined by its capabilities. As guidance, beneath would be the settings I employed with my Nikon D300 along with a Nikon SB-700 Speedlight:

 •          Camera mode - Manual

 •          Shutter Speed - 1/250

 •          Aperture - among f/8 - f/16

 •          ISO - 100 (or lower if your camera permits it)

 •          Manual focus

 •          White Balance - Auto or Flash

 •          Focal length - This really is your selection according to how close you would like to get towards the smoke.

 •          Flash output should be set at half energy or above. Adjust according to your preference.

 

Ideally, you need to use a flash or strobe which you can trigger remotely. Nonetheless, you are able to connect the flash directly to your camera having a sync cord. Just be careful not to trip over it inside the dark. You also need to channel as a lot light onto the smoke as possible. That is when a snoot or barn doors can be found in valuable. Should you don't have either of those, use some card and secure it around the edge of the flash or strobe. Ensure the card extends out by about 2-3 inches.

 

STEP 4

Taking the shot

Now which you have every thing in location, you'll want to make certain that all doors and windows are closed. Smoke is extremely delicate, so the slightest draught will disturb it and generate thin unstable plumes, which you will discover challenging to capture in detail. The room needs to be perfectly nevertheless. Following, light the incense stick. If you'd like thicker and distinctive swirls of smoke then I would suggest lighting up two incense sticks and placing them in the very same holder together. Now, turn off your camera's auto-focus feature, because it won't aid in any way. The smoke will likely be constantly moving and as soon as the lights are turned off, it'll struggle to locate a focal point. Watch the smoke to see where it goes and manually concentrate on where you think the smoke will end up when you release the shutter. I would recommend focusing on the component just 2-3cm above the tip with the incense stick. In case you should, use the torch to light up the smoke so you are able to adjust the concentrate accurately. The moment performed grab your torch and switch off all the lights inside the space. Even though, in my opinion, it does not actually matter if you shoot with the lights on or off, but for finest outcomes it truly is good to shoot inside a darkened space to prevent any ambient light decreasing the contrast. Take some test shot's to examine the exposure and adjust the settings accordingly. The thought is to get the background underexposed to a pure black (RGB 0, 0, 0) and the brightest portion in the smoke really should be white. When you're pleased with all the exposure settings, its time to get imaginative and commence shooting! When photographing smoke, I aim to capture smooth shapes and swirls in excellent detail and from diverse angles. All of the smoke pictures you see in my gallery had been taken without having a tripod. I got in close to the smoke and moved about it to capture a diverse perspective. You'll be able to attempt the same in case you get bored with regular smoke swirls. You'll be able to even alter the transition from the smoke to make different shapes by placing a spoon, or any other object, above the incense stick. Also, attempt gently wafting the smoke to obtain diverse patterns. And don't forget, ventilate the space each 10-15mins. The build up of smoke will create a grey haze that can deprive your picture of light and contrast. It is also extremely uncomfortable to function inside a room full of smoke no matter how rosy it smells...Final Believed As I said at the begin of this tutorial, there is no common or "correct" approach to photograph smoke. It really is all about experimenting and finding your own technique. You could end up taking hundreds of photos and keeping just a fraction of them, don't let that place you off. Smoke is an unpredictable subject to shoot, and with the settings needed to capture it, it truly is difficult to get it proper every single shot. It is all about trial and error. That is all there is certainly to it...

 

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